The Movie Club

Secret Film Shame-Bring it on Review

Secret Film Shame

Director: Peyton Reed Writer: Jessica Bendinger Stars: Kirsten Dunst, Eliza Dushku and Jesse Bradford

Bring it On follows the Rancho Carne High School Cheerleading Team, the Toros, as they continue their six year run at the title of National Cheerleading Champions. New Captain Torrance Shipman (Kirsten Dunst) looks set to lead the team to another win until it’s discovered that their perfectly rehearsed routine was stolen by the former captain from an inner-city cheer squad called the Clovers. No-one had noticed because the Clovers have never been able to afford to compete. Torrance has her work cut out for her to rebuild the reputation of the Toro Squad and begins by enlisting the help of new student Missy (Eliza Dushku) who becomes her ally in the fight to maintain control of the cheer-team. They falter at first by hiring a Professional Cheer Choreographer, the hilarious Sparky Polastri (played by Ian Roberts), who belittles, taunts and in the end humiliates them in front of the entire cheer community.

This miscalculation on Torrance’s part leaves her again without the support of most of her squad, and Cheerleaders Courtney and Whitney planning a takeover.

This is not the end of Torrance’s problems however - she is trying to handle her cheerleader boyfriend who’s gone off to college and begun to ignore her as she starts to fall for Missy’s brother Cliff (Jesse Bradford) who hates everything cheery.

We watch to see if the Toros can overcome their internal cheer-rivalries and come up with a new routine good enough to regain their place at the National Cheeroffs, whether the Clovers will find the money to finally compete at the competition themselves and earn the title they deserve and whether Torrance will be able to choose between her cheery boyfriend and the non-cheery new boy.

Why I love this film

It’s funny, cheeky (occasionally bordering on filthy) and an absolute ball to watch. Great characters, great dialogue, lots of laughs. It knows what it is and doesn’t take itself too seriously.

Endlessly quotable:

Torrance Shipman: “You know, mothers have killed to get their daughters on squads.”
Christine Shipman: “That mother didn't kill anybody. She hired a hit man.”
Sparky: “I am a choreographer. That's what I do. You are cheerleaders. Cheerleaders are dancers who have gone retarded. What you do is a tiny, pathetic subset of dancing. I will attempt to turn your robotic routines into poetry, written with the human body. Follow me, or perish, sweater monkeys.”; and, of course,
“Spirit Fingers!”

The routines are also great to watch and well shot and performed as is the whole film. There’s never a dull moment in this cheer-fest.

Totally fun, a hearty 5 Spirit Fingers out of 5

Marisa Martin, May 2011

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Water for Elephants Review

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Water for Elephants is a romantic drama film directed by Francis Lawrence. It is based on Sara Gruen.novel which is based on the Ringling Brothers and Barnum & Bailey Circus disaster and parallels the biblical story of Jacob in the Book of Genesis.

Plot

We meet an elderly man named Jacob Jankowski (played by Hal Holbrook and later to be played by Robert Pattinson) on a rainy night as he stands in the parking lot of a closed circus. Two circus workers are quick to assist him and bring him inside. After attempting to find the nursing home responsible for Jacob, the worker is soon mesmerized by the story Jacob begins to unfold involving his time with the travelling Benzini Brothers circus which has the dubious honour of hosting the greatest circus disaster of all time. Soon we are transported to 1931, where whackiness ensues………………….

Review

Water for Elephants is basically Titanic at the circus, but not as emotionally crippling thank god. Titanic lite. We flash backward to the 1930’s and meet a young man as he falls in love with the star attraction of a circus, Marlena (played by Reese Witherspoon). However, the star is already married to the ring-master, August (played brilliantly by Inglourious Basterds’ Christoph Waltz) leading to a love triangle facing a larger disaster.

Unsurprisingly Water for Elephants does not have the same production value of James Cameron’s blockbuster however it still looks lovely: the production design of the train, especially rooms decked out with cigars, cards, booze and opulent bedrooms makes you want to host a cocktail party. The layout of the train itself mirrors Titanic’s class system: the bottom of the circus rung is in the last carriage, increasing in circus status up to the top of the carriage which holds the ring-leader and his wife. The movie even has a “I’m the king of the world” moment on top of the carriages as it flies through depression era America (albeit not as cheesy).

Christoph Waltz gives another great performance. Christoph’s August can be absolutely charming but then can change flawlessly into a frightening brute. More than just the film’s villain, Christoph shares the pain and frustration of being a leader of a business facing harsh times, and brings an agonising empathy to his creation. Robert Pattinson proves again that he is an actor with chops, capable when given the chance. He also makes a dashing lead. Reese Witherspoon however, is no Kate Winslet. Her ‘look’ did not captivate me. Instead of the captivating angel that Jacob narrates to us, we see a thin, gaunt and mean looking Reese. This appearance was probably spot on for depression era America, especially for a character given such a troubling back-story. However I was not empathetic with Jacob in his feelings for her, and therefore did not believe the love between the two leads. Unfortunately this is the common consensus among film reviewers.

In relation to production value, after a great 2 acts, the third is a surprising let down. The circus disaster is in no way as bit a spectacle that you would have been led to believe. This may have been due to the production budget, however this is quite different from a production’s value: - value can be added in choice framing and lighting techniques. The first Matrix had surprisingly few ‘special effects’ when compared to its bloated sequels and the first Bad Boys was so budget conscious that every single explosion shot had to count or be discarded if it did not work. Jerry Bruckheimer’s The Rock’s production value was shown in its comic-book lighting and framing.

For some reason, some scenes in Elephants were also shot extremely basically, failing to capture the true grandness of some scenes. For example, the circus performances are played during the day, under a low ceiling-tent in front of a sparse audience even though we see a swarm of people entering the circus beforehand. When the circus and its various behind-the-curtains working-class shenanigans is shown at night, it looks absolutely beautiful, evoking my memories of the Adelaide Fringe festival: bold reds, flame and wine. Reese on top of her beautiful elephant, Rose (heh? Heh?) looks flat instead of awe-inspiring, and there are moments when lead characters heads are also chopped out of the frame.

Conversely, there are some fantastic shots, hence the confusion. Characters on top of the train looking at the inherent beauty of the country they are flying through and also who’s events they are trying to escape from, cabaret like set ups at night providing a fly-on-the-wall showing the inner social life of a circus, and a wonderful film-noir shot of Reese escaping a romantic interlude in n 1930’s American back-alley. Such beautiful scenes beg the question why other sections fall so flat.

Rating

I really wanted to like this movie. Its inexplicable faults are only obvious once compared to its strengths. Elephants is pushed above a solid drama due to its classic production design and the great interplay between the 3 leads: - Christoph Waltz trumps Billy Zane 3.5 out of 5 elephants.

Check out the film at IMDB, and check out the trailer.

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Luke McWilliams June 2011