The Ides of March Review

The Ides of March is a political dramatic thriller directed by its leading actor and co-screenplay writer, George Clooney based on fellow screenwriter Beau Willimon’s play Farragut North. 

Plot

We meet Junior Campaign Manager Stephen Meyers ( played Ryan Gosling) as he sets up a debate for boss Mike Morris (played by George Clooney), Governor of Pennsylvania who is on presidential campaign  in Ohio. Up against his main competitor Senator Ted Pullman, the win in Ohio will guarantee Morris the election, however there is a threat that the endorsement from Senator Thompson may sway the tide.

After a debate, the optimistic and possibly naïve Meyers is contacted by Pullman's Campaign Manager, rival Tom Duffy (played by Paul Giamatti) to meet with him in secret. Meyers chooses to attend this seemingly harmless meeting, where wackiness ensues!

Review

The Ides of March has a great cast, strong acting and very authentic and fascinating environment. We are introduced to the very top of a presidential campaign, allowing us to be privy to the inner workings of the social environment of said campaign; from managerial staff, junior staff and the interns. We are quickly and simply brought up to speed on the importance of the campaign team’s Ohio win, and its’ strategy should things head north. The pace at which the campaign team works in, especially whilst advising the presidential nominee, is fast paced and high pressure, with no room for error and always with the threat of failure, and therefore demotions and unemployment, hanging in the balance.

Like a computer system, it is only when human errors come into play which damage this smooth and tightly wound system, as if the main players objectively  recognize that human emotions such as love, greed and revenge are poisonous to the process. The business of politics is shown to be transparent and impersonal in the face of wiping out such imperfections of the system, with mutual respect, but subjectively damning consequences.

The stakes to the main characters who inhabit this world then are quite high: they are fighting for their own political careers, and, perhaps naively, the chance to change the world for the better. In this world, at this point in their campaign, issues and emotions are magnified, as they are responsible for the well-being of their nominee, staff and country. It is Marisa Tomei’s reporter however, who makes the observation that the general Joe, the citizen who wakes up, goes to work, sleeps and pays his taxes, who won’t even notice the difference if Mike Morris wins or loses. On that level of reality, the world simply keeps on rolling, regardless who is on the top.

In this sense, it is difficult for a viewer to regard the main player’ stake in these events to be as big as they feel they are: to empathise fully with the campaign is a bit of an effort, especially since we have seen so many political scandals in film and real life: Watergate, assassinations, infildelity and so on. Zack Snyder, director of The Man of Steel has said that a Superman movie has to deal with a threat to mankind itself, and every Mission Impossible has stakes so high, that it endangers the IMF team if not the world at large as well. In The Ides of March, the stakes are the failure of a campaign team, and the reality that, if they fail, they can lead a very comfortable life, working in a consulting firm for other presidential hopefuls in the future. Nice work if you can get it.

Rating

The Ides of March is an intriguing look at the inner workings of a presidential campaign, using Shakespearean motives to show the corruption of a young hopeful. George Clooney’s very intelligent and restrained story telling however may be too subtle for audience’s expecting more earth shattering consequences to the parties’ actions.

3.5 senators out of 5

See what David and Margaret have to say and check out the trailer!

 

Luke McWilliams, December 2011

The Debt Review

The Debt is a  drama-thriller film directed by John Madden (of Shakespeare in Love Fame) and is a remake of the 2007 Israeli film of the same name.

Plot

In 1966 we meet Israli agents Rachel Singer (played by Jessica Chastain), David Peretz (played by Sam Worthington) and Stefan Gold (Marton Csokas) as they return home to Israel after a mission in East Berlin.

We flash forward to 1997 where Rachel  (now played by Helen Mirren) is being honored by her daughter during a release party for Sarah's book, recounting the 1966 mission. Rachel is given the opportunity to read an extract of the book detailing her team’s capture of The Surgeon of Birkenau, Nazi war criminal Dieter Vogel (played by Jesper Christensen). After her account, we go back once again to the events in 1966, where wackinessensues……. 

Review

Its actually very rare for someone passionate about movies to have a movie come along under their radar, with very little information about it. In the age of digital social media, with information coming thick and fast of upcoming blockbusters and the like, sometimes a small nugget (usually an art-house film) slips through the media cracks, with an air of mystery that actually entices one to see it. Therefore I pleasantly knew very little about The Debt and was engaged throughout. The historic set-up soon plays into a Rashômon syle of narrative, where truth and lies are served up amongst the rippling consequences of such actions.

The Debt is a thriller in every sense of the word: a very evil master manipulator versing off against a three person team who carry their own fragile dynamics, set in a threatening environment and time not kind to our three jewish protagonists. 

It is when we learn the consequences of the trio’s decision where the movie gets a strong elevation, which really plucks us out of our comfort zone: no longer are we watching a 1966 Mission: Impossible, safe in the knowledge that all the main players have obviously survived, succeeded and are know living a life of national heroes. Mistakes made in the past surge ahead decades later to once again pin the trio together, in an almost Stephen King tale of a deal with the devil. The movie keeps on escalating in thrilling fashion and was actually a real joy to watch.

The atmosphere of 1966 Berlin is suffocating: three Israeli spies in the thick of enemy territory, only venturing off during the day to complete their missions, and held up in their apartment with only themselves and a piano for company and entertainment. A jolly time in a pub soon turns sour due to the weight of the mission at hand.

Jessica Chastain is fantastic as Rachel, a soldier who must attend gynecology appointments with the trio’s prey, playing hunter and the hunted concurrently. The emotional strain of the job leaves her emotionally vulnerable to those around her, which leads to devastating turns. Marton CsokasStefan is charismatic and oozes leadership. With a cool head and slightly sleazy approach it is he who is the unofficial leader of the team.

Sam Worthington’s David may be the slightly weaker of the three. David has a very uncomplicated world-view, sustained and propelled by vengeance, while being hindered by shyness and love. Worthington’s delivery is not as layered as his teammates, not-withstanding his breaking accent.

It is when we get to the character’s older selves where things look a bit shaky. Fantastic actors Tom Wilkinson and Helen Mirren are ten years too old to play their counterparts, with Tom and Ciarán Hinds looking far too different from their younger counterparts to convincingly portray the characters. This is opposed to the very chilling Vogel, who simply has aged make-up applied. Perhaps this would have been an option for the rest of the cast. 

Rating

Apart from such quibbles, The Debt is intriguing stuff, in the line of Courage Under Fire. 4 our of 5 I.O.Us.

Check out what Margaret and David have to say, and have a look at the trailer!

 

Luke McWilliams, December 2011

PODCAST EPISODE 43, SEASON 2

Join Luke McWilliams and Katy Haynes as they review new to cinema releases;

The Debt; and

The Twilight Saga: Breaking Dawn Pt 1

The Duo also have a retrospective look at the Twilight series to date!

PODCAST EPISODE 42, SEASON 2

Join Luke McWilliams and Katy Haynes as they review new to cinema releases;

The duo also review the season of the worst movie ever made, the cult-classic The Room.

PODCAST EPISODE 41, SEASON 2

Join Luke McWilliams and Katy Haynes as they review new to cinema releases;

Katy also shares a cult favourite, Cecil B. Demented.

Special Guest: Travis Cragg of the Anu Film GroupThe Real McCoy and The Big House Film Societies.

PODCAST-EPISODE 34, SEASON 2

Join Steven Robert and Marisa Martin as they review new to cinema releases;

Marisa also has a look at a cult-favourite, Ponyo.

Special Guest: Canberra Short Film Festival Director, Anna Koprowska

PODCAST EPISODE 33, SEASON 2

Join Luke McWilliams, Steven Robert and Marisa Martin as they review new to cinema releases;

In the lead-up to the Canberra Short Film Festival, we also have a look at a few of Marisa's favourite short films;

PODCAST-EPISODE 32, SEASON 2

Join Luke McWilliams, Steven Robert and Marisa Martin as they review;

Steven will also have a look at the Cult-Classic, Top Gun

 

PODCAST-EPISODE 30, SEASON 2

Join Luke McWilliams, Steven Robert and Marisa Martin as they review new to cinema releases;

·         Green Lantern; and

·         Red Dog

 Marisa also has a look at a favourite cult-classic, The Color Purple.

 

Special Guest Appearance; local author, playwright and ABC broadcaster, Melanie Tait

PODCAST-EPISODE 27 SEASON 2

Join Luke McWilliams, Steven Robert and Marisa Martin as they review new to cinema releases;
We also have a look at a few famous stars audition tapes.
Special Guest: Monica Penders, Manager of Screen ACT.