The Waiting City plays host to an apparently happily married Australian couple, Fiona (played by Radha Mithcel) who is a corporate lawyer and her husband Ben (played by Joel Edgerton) who is a struggling musician. They make the journey to Kolkata to collect their adopted baby. However, they soon experience many bureaucratic delays and are forced to ‘wait in the city’ (see what they did there?). Soon the two reflect on their strained relationship and their motives for adopting a baby all the while being subject to the magical, spiritual and mystical powers of the Indian city which affects them both.
I could see where the film wanted to go; the moral and spiritual reawakening of a flawed couple in a foreign land but it did fail. This is either due to the performances of the actors or their direction (perhaps both).
The audience is not given the chance to like or, at least, empathise with the protagonists. We therefore have no stake in their plight. We are introduced to a couple who, by most accounts, are odious ‘ugly’ tourists. There is too much for the audience to assume: i.e. – a high-power lawyer is married to an unemployed musician = why? What served as the attraction in the first place? We don’t see any attraction or sense of love between the two, therefore there is no real stake to whether or not their relationship remains intact in this quite stressful time.
Their characters don’t follow the script’s planned emotional and spiritual arc for the main characters. Even amongst the couple’s spiritual awakening, they seem to only turn to superficial actions of religious practice out of selfish reasons; i.e. – another means to reach their own end.
The film seems to serve as a flawed morality tale; teaching a woman the importance of life and the emotional impact experienced as a consequence of abortion.
The Waiting City seemed like a purgatory for the main couple who had to learn the errors of their ways before leaving and living a more substantial married life once back in Australia. It showed India to be a self-service one-stop-shop for religious refill and spiritual enlightenment.
That being said, the shots of India are wonderful. It seemed like the second-unit director was filming a great looking documentary to be viewed on an Imax screen. The shots are very tight, however this serves the viewpoint of the constricted view a tourist has of a new, unfamiliar foreign land.
It is not a good sign when you are watching a movie not only for the scenic shots, but also due to the examination of the quality of a RED camera.
1 out of 5 arms of Lord Shiva.
Luke McWilliams August 2010